People sometimes ask why everything tied to this project looks slightly warm, slightly worn, like a photo that's been sitting in a drawer for a decade. That's deliberate. The music is about memory, and memory doesn't render in crisp 4K — it renders in grain, in slightly wrong color, in light that's a little too golden to be real.

Every cover, every site photo, every visual choice gets run through the same question: does this look like something you'd find in an old shoebox, or does it look like content. If it's the second one, it gets cut.

It's a small thing compared to the songs themselves, but I think it's part of why people connect the way they do — the whole world around the music is built to feel remembered rather than produced.